Tuesday, November 1, 2011

The Contextual Analysis

The contextual analysis should be 1200-1400 words (4-6 pages). The four different focus areas for the analysis are listed below. You will choose one of the focus areas for your contextual analysis:

  1. Critical Reception History
    • Immediate popular reception (magazines and newspapers)
    • Revival reception
    • Scholarly reception
      • Provide a representation from several time periods
      • Discuss trends among the critics
  2. Historical Context
    • What is necessary to know about the political/sociocultural world the play was originally written and performed in?
    • Think nationally, but also regionally and local to the author
    • Author biography
  3. Production and Performance History
    • Where was the play originally written and over what time period?
    • What were the conditions of composition?
    • When was the play initially published?
    • When and where was the original production of the play?
    • Who directed and starred in it? Did it follow the original text, or were alterations made for the stage (as in Elia Kazan's changes to Cat on a Hot Tin Roof)?
    • Discuss notable productions after the original.
  4. History of Printed Editions
    • When was it first produced as a printed text?
    • Is it often included in anthologies?
    • List other published editions after the original. Is the edition scholarly? If so, who is the editor and what additional information do they frame the text with? Is it a stage reading edition? 
Due date: November 15

Tuesday, October 25, 2011

The Paramedic Method for Revising Prose

(adapted from:  Lanham, Richard.  Revising Prose.  4th ed.  New York: Longman, 2000.)

1.Pay attention to prepositions and prepositional phrases, and eliminate them where you can.
2.Pay attention to forms of the verb ‘to be,’ especially when used as an auxiliary.
3.Ask, “Who’s kicking whom?”
4.Put the sentence’s action in a direct active verb.
5.Construct the sentence to highlight its most important element.  Often this means putting the subject and verb first.
6.Read your work aloud with emphasis and feeling.

A few qualifiers:
You don't have to eliminate all prepositional phrases, but do eliminate those that clutter.  The same goes for forms of ‘to be.’
The passive voice is okay if you want to emphasize the object of the action.
Short sentences are most often used for emphasis and/or transitions; long sentences usually contain more complex thoughts.
Eliminate vague modifiers; make up for deletions with concrete words/specific details.

Tuesday, October 11, 2011

Literary Analysis: Introduction Examples

The following examples are effective literary analysis introductions. I have underlined the thesis in each, and commented on the strategy the author is using below each entry:

During the 1960s and 70s women pushed for gender role reevaluation and publicly rebelled against the established social norm of a woman's "place." Although Alice Munro may not have been burning her bra on the courthouse steps, threads of a feminist influence can be found in "Boys and Girls." Munro's main character, a girl probably modeled after Munro's own childhood experiences on an Ontario farm, faces her awakening body and the challenge of developing her social identity in a man's world. "The girl," an unnamed character, acts as a universal symbol for the initiation of a girl into womanhood. Through first-person narrative, Munro shoes the girl's views of her budding femininity and social identity by describing the girl's conceptions of her parents' work, her parallel to the wild mare Flora, and the "mysterious alterations" (Munro 474) in her personal nightly stories.
·      This introduction begins with the general issue of feminism in the 1960’s and 70’s, and then specifically applies that information to the author, Munro, and the theme the author will be focusing on in the essay, the main character’s formation of “femininity and social identity.”
·      This is a good example of following the general to specific method without- this author picks a general historical social fact that applies specifically to her essay focus.

In "Sonnet 46" of his works about the blond young man, William Shakespeare presents a unique view on the classic debate about physical lust versus emotional love. The poet struggles to decide if his feelings are based upon superficial desire and infatuation, represented by the "eye" (1), or true love independent of the physical world, symbolized by the "heart" (1). With a deft movement from violent imagery in the first two lines to the civilized language of law, Shakespeare dismisses the commonly accepted view of a battle between the eye and the heart. The diction of warfare denotes two very separate alien sides clashing in destructive confrontation. Shakespeare advances quickly away from such wording, setting his debate in the civilized context of a courtroom. While the parties engaged in a lawsuit are competing, they are not seeking the destruction of their opposition. A common bond exists between the two sides of a legal case, the bond of society. They are parts of the same whole, or they would not be bound by the laws of that whole. The same holds for the eye and the heart, as well as their metaphysical counterparts, lust and spiritual bonding. Physical desire and emotional attraction are just aspects of the overlying concept of love. This is Shakespeare's final point: both physicality and emotional attachment combine to form the powerful force humans know as love.
·      The author successfully brings in specific words from the poem (“eye” and “heart”) in order to identify the specific imagery and its representative theme, noted in the italicized sentence.
·      This introduction provides a good example of a thematic summary. Although the author of this essay summarizes parts of the poem, it is always in a way that sets up the theme of love bonds, the subject of the essay.

The late nineteenth century in the United States saw the peak of the buzz and commotion that is presently known as the Industrial Revolution. Caught deep within the gears of this mechanized movement, both socially and financially, was one Samuel Langhorne Clemens, best known as Mark Twain. Twain's ideas on industrialization were based on practical experience, due in part to heavy investment in, and loss from, a newly developed type-setting machine as well as an acute interest in the universal ramifications of such modernization (Kaplan 12). It is amid such an economically turbulent and technologically elevated era that Twain conceived, wrote, and published the critically complex A Connecticut Yankee at King Arthur's Court. Twain's vision of sixth century England as seen through the eyes of "Yankee" Hank Morgan is the setting for biting social commentary on what was occurring throughout the States, especially in his home region of the Northeast. A Connecticut Yankee attacks specifically three institutions that Twain had dealt with and experienced first hand: capitalism, slavery, and organized religion. Twain intertwines the fantastic foreground of a fictional tale with much of his own personal belief masked by the brilliant and brutal society artificially crafted by the protagonist and political mouthpiece, Hank Morgan.
·      This introduction successfully uses biographical and historical information to set up the subject of this essay, the themes promoted by “protagonist and political mouthpiece, Hank Morgan.” The author of this essay is able to bring in historical and biographical info (italicized) to frame their argument, but he/she also makes it clear that the essay will be a character analysis of the protagonist.

Sunday, October 2, 2011

Crucible Response 10/4- Definitions

Instead of selecting three of your own definitions for this play, look up two words: crucible and overture.

These words have several definitions each-- indicate which you think is the most literal definition. Then note ways that the other definitions further illuminate Miller's choice to use these words: Does more than one definition apply given the context? What connotations are associated with the word? Include your answers at the end of your response.


Friday, September 30, 2011

Literary Analysis Structure

In addition to the literary terms posted, you will need to be familiar with the structural elements of the literary analysis for next Thursday's quiz. You should also be able to define the italicized words/phrases:

  1. Introduction
    • Name of the play and playwright
    • Thematic summary that relates to your focus
    • Information relevant to your thesis and necessary for your reader to understand the position you are taking
    • Thesis statement
  2. Body Paragraphs-- paragraphs that support and develop your thesis
    • A topic sentence that ties the details of the paragraph to your thesis statement
    • Explanations, summaries, paraphrases, specific details, and direct quotations needed to support and develop the more general statement you have made in your topic sentence.
  3. Conclusion--
    • Restates, in different words, your thesis
    • Summarizes the main points of your essay

Monday, September 26, 2011

Hughes and Hurston Resources

Langston Hughes
"Hughes, who claimed Paul Lawrence DunbarCarl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories and plays, as well as poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in "Montage of a Dream Deferred." His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period—Claude McKay, Jean Toomer, and Countee Cullen—Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including both their suffering and their love of music, laughter, and language itself."-- Excerpt from poets.org

Link to Hughes' full biography-- http://www.poets.org/poet.php/prmPID/83
Link to an audio recording of Hughes reading his poem, "The Negro Speaks of Rivers"-- http://www.poets.org/viewmedia.php/prmMID/15722

Linked Poems--
Zora Neale Hurston

While in New York Zora became famous for her part in the Harlem Renaissance's Literati. She became well known not only for her writing, but also for her outspokenness, her distinct way of dressing and her refusal to be ashamed of her culture. Zora became close friends with Langston Hughes, another great writer. They were both funded by the same patron, Charlotte Mason, a wealthy white woman. Zora was very adept in her quest for funds and was criticized by many...Zora was a pioneer in the study of African-American folklore writings; she traveled back to Florida in 1927, to New Orleans in 1928 and to the Caribbean later on. In New Orleans she studied voodoo(folklore). In New Orleans she recognized voodoo as a system of faith no stranger than any other religion, but in Haiti and Jamaica, she observed voodoo as a terrifying experience. In 1935 Zora published "Mules and Men", it demonstrated her unique methods of collecting folklore...Zora wrote her masterpiece "Their Eyes Are Watching God", in Haiti, it was published in 1937."-- Excerpted from CUNY's "Women in New York City, 1890-1940"

Mules and Men- Anthropological work in which descriptions of the folklore gathered in Eatonville, FL 
reflect themes and depictions in Mule-Bone.
Opening passage from Their Eyes Were Watching God--
"Ships at a distance have every man's wish on board. For some they come in with the tide. For others 
they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away
in resignation, his dreams mocked to death by Time. That is the life of men.
Now, women forget all those things they don't want to remember, and remember everything they don't want to forget. The dream is the truth. Then they act and do things accordingly.
So the beginning of this was a woman and she had come back from burying the dead. Not the dead of 
sick and ailing with friends at the pillow and feet. She had come back from the sodden and the bloated; 
the sudden dead, their eyes flung wide open in judgment."

Response Prompt: Mule-Bone Act I

  1. As the play opens up, you get a foreshadowing of the two major conflicts of the play- the love triangle of Daisy, Jim, and Dave, and the religious disagreement between the Methodists and the Baptists (although their disagreement doesn't have anything to do with religion or theological issues). However, thirty or so pages go by before the escalation of the fight between Dave and Jim. In the meantime, what is the first act spent focused on? As the introduction explains, Hurston and Hughes were attempting to create a unique depiction of a black community for the stage; how does the first act help frame this community? What kind of freedom do the characters have in an all African American town in this time period that they wouldn't have otherwise? 
  2. Hurston and Hughes also sought to depict this African American community through authentic language, using heavy and specific dialect. Another facet of this language is the shifting use of the monologue- how are monologues used differently in Mule Bone? What are they used to convey? In the plays we've read so far this semester, monologues are usually reserved for main characters. Is this true in Mule-Bone? What is the effect of re-appropriating this well known dramatic convention?